Bathers are another of Cézanne's themes and his late studies of the human body are most rewarding. His figures merge with the landscape in a sunlit lightness. This became a favorite theme for Cézanne and he made a whole series of pictures on the subject. This mature work is dictated by an objectivity that is profoundly moving for all its seeming emotional detachment.

Women bathers are usually presented in large pyramidal groups, overlapping, mostly with their backs to the viewer. His men generally face forward, almost in a frieze. They are individuals in the same scenery, neither interacting nor overlapping. There is no eye contact between any of them. Cézanne's only real passion was his art, but that passion was never revealed on the canvas itself.
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